Praised by Opera News as “a winsome beauty with a voice to match,” Sarah Moulton Faux is known for her silvery soprano, technical precision, and vivid dramatic insight. Her performances have been heard at Lincoln Center, Carnegie Hall, and the Brooklyn Academy of Music, spanning repertoire from early music to newly commissioned works.

A passionate champion of contemporary composers, Sarah has been at the forefront of projects that expand the operatic canon while bringing neglected voices back into the light. Her work frequently centers on music by women whose contributions were historically marginalized, pairing rigorous scholarship with emotionally compelling performance.

Her recent album YULIYA, featuring rediscovered art songs by Julia Weissberg Rimsky-Korsakov, has received widespread critical acclaim for its sensitivity, clarity, and expressive depth. The recording has been praised for illuminating a powerful yet long-ignored compositional voice, and for Sarah’s ability to inhabit the music with both intellectual authority and vocal warmth.

Her debut album, Where Should This Music Be? Songs of Lola Williams, produced by Judith Sherman and released on New World Records, received the American Prize Ernst Bacon Memorial Award. Fanfare hailed the recording as “a glorious disc,” citing its depth of commitment and expressive nuance.

Beyond the stage, Sarah serves as Co-President of the Board of Directors of American Opera Projects, where she supports the creation and development of new operatic works. She received the Opera America National Opera Trustee Recognition Award for her leadership and artistic contribution.

She holds a B.A. (magna cum laude) from Barnard College, Columbia University, and a Master of Music in Voice Performance & Pedagogy from Westminster Choir College.