Soprano Sarah Moulton Faux finds forgotten music and brings it back to life. Lauded for her "full, silvery soprano" (Opera News), "luminous voice" (Textura), and "mesmerizing" performances (Brooklyn Spectator), she has appeared at Brooklyn Academy of Music, Lincoln Center, and Carnegie Hall, and is a frequent guest with orchestras and opera companies.

Moulton Faux's work extends beyond the stage into the archive. Her album YULIYA (Azica Records) presents the first modern recordings of Julia Weissberg Rimsky-Korsakov's songs—compositions silent for over a century after the Jewish composer's death during the Nazi siege of Leningrad. She uncovered the scores at the Russian State Library in Moscow, then recorded them with pianist Konstantin Soukhovetski and seven-time Grammy® winner Judith Sherman. Her American Prize–winning debut, Where Should This Music Be? Songs of Lola Williams (New World Records), followed the same path: archival discovery, modern editions, then recording.

An Opera America National Trustee Recognition Award winner for her leadership as Co-President of American Opera Projects, she holds degrees from Barnard College, Columbia University (magna cum laude) and Westminster Choir College.